Three zombies lurching your way is scary enough. Now imagine they’re Lenin, Stalin and Putin. This scene isn’t from a Kremlin-themed horror film, but rather a new graphic novel, Dictatorship: It’s Easier Than You Think! by Sarah Kendzior and Andrea Chalupa.
Through their day job, as co-hosts of the Gaslit Nation podcast, the authors have long warned about the dangers of authoritarianism, whether discussing January 6 or the Russian invasion of Ukraine. Now they are releasing a book, illustrated by the Polish artist Kasia Babic.
It’s a tongue-in-cheek look at dictatorship, a how-to manual with lessons from Hitler, Stalin, Mussolini, Putin, Kim Jong-un and many others whose stories offer time-tested tips on how to seize and consolidate power.
“We wanted to do a book on the dictator playbook to show people how unoriginal dictators are,” Chalupa says, “so they can better predict the next moves of an aspiring authoritarian.”
Some such moves, such as stigmatizing minority groups or employing propaganda, are well-known from history class. Others may seem counterintuitive. According to Chalupa and Kendzior, dictators are fond of both elections and constitutions. It helps, of course, if they win the popular vote by an overwhelming margin and if constitutional rights are guaranteed on paper but not in real life.
On the page, these tips and more are shared by an omniscient narrator who Chalupa says has Cary Grant’s looks and verve, Stephen Colbert’s snark and the devil’s ability to tempt.
One relatively new development for dictators is the increasing usefulness of technology when it comes to keeping civilians under surveillance. Chalupa notes that when her Ukrainian grandfather was in one of Stalin’s prison camps, inmates were allowed to speak to each other relatively freely. Today, China uses technology to keep a constant eye on Uyghurs in its own camps. Chalupa and Kendzior fault companies like Apple, Facebook and Google for doing business with China.
“When you have innovations in AI driven by companies in the west, it’s going to be used for authoritarian control,” Chalupa says.
“It’s only a matter of time before it starts spreading everywhere. You think you live in a democracy? Every single democracy is vulnerable. Nobody is immune to the authoritarian virus. If all the surveillance technology tools go unregulated, if there’s no vocal outcry against them from the public or elected officials in the EU, North America and elsewhere, if there’s no pushback against them, it’s going to be game over.”
When Chalupa and Kendzior conceived their book, they outlined it as if it were an infomercial, wondering what a Trump University course on dictatorship would look like, and proceeded accordingly. They also thought about Oscars-style awards for despots.
In one sequence, the narrator becomes an Academy Awards host. He dons a tuxedo, strolls the red carpet and presents the Oscar for Best Purge to Kim Il-sung, founder of the dynasty that rules North Korea. According to the book, nowadays Kim Jong-un not only continues the tradition of purges, he has extended it to canine pets of the ruling class.
As Chalupa points out, dictators can’t achieve power on their own. They require the help of “useful idiots”.
“In terms of Hitler, Stalin, Mussolini, all the sort of people we highlight throughout the project, the larger theme of the book is useful idiots. People helped Hitler have power. Why? What did they get out of it, or think they were getting out of it?”
The book looks at a Weimar Republic media baron, Alfred Hugenberg, who thought he could control Hitler and limit his danger to Germany: a fateful miscalculation. Meanwhile, Stalin’s brutality was whitewashed in the west thanks to figures including the celebrated playwright George Bernard Shaw and the New York Times journalist Walter Duranty, whose fawning coverage won a Pulitzer prize. One of Duranty’s contemporaries, the Welsh journalist Gareth Jones, who sought to expose Stalin’s atrocities, was the subject of Chalupa’s 2019 feature film, Mr Jones. Another voice of conscience spotlighted in Chalupa and Kendzior’s book is George Orwell, for his courageous opposition to Stalin and to authoritarianism in general.
“I think Orwell wasn’t alone,” Chalupa says. “He had a community working with him side-by-side” including “his wife Eileen, a remarkable poet in her own right”.
The rogues’ gallery wouldn’t be complete without Donald Trump. Recently indicted a second time, the 45th president plays a prominent role in the book. One aspect the authors emphasize is Trump’s dictatorial skill when it comes to inflaming supporters.
They highlight his tweets on the campaign trail in 2016: “If you see somebody getting ready to throw a tomato, knock the crap out of ’em would you? Seriously. OK? Just knock the hell – I promise you, I will pay for the legal fees. I promise. I promise.”
Another sequence depicts Trump supporters drinking conspiracist Kool-Aid on January 6. A man wearing a red Maga cap downs a shot which makes his muscles expand and brain shrink. “Stop the steal!” he exclaims. Others, similarly addled, start threatening Nancy Pelosi and Mike Pence. Egged on by Trump, the mob attacks the Capitol. With the seat of government burning, Trump feigns innocence.
The book also examines US support for dictatorships abroad. In the 1970s, such support often came about through the then secretary of state, Henry Kissinger. Whether it was the coup against Salvador Allende that brought Augusto Pinochet to power in Chile or coziness toward dirty war dictators in Argentina, Kissinger was key to the embrace of despots worldwide.
“He was like a ‘Where’s Waldo?’ during our research,” Chalupa recalls, noting “all the times he kept popping up – ‘there’s Kissinger again.’”
With so much material to work with, the authors had to make decisions about what to include. Their treatment of Hitler spotlights Mein Kampf and his brief alliance with Stalin, but there is not much mention of his antisemitism and the Holocaust.
“We sort of focused on the dictators themselves versus their atrocities,” says Chalupa, whose next project is a Holocaust-themed work about the American second world war reporter Dorothy Thompson. “It’s sort of like the Hitchcock method.”
She adds that “the focus is so much on useful idiots. It’s really the theme of the book. We’re not trying to minimize any atrocities” or “eclipse the victims”.
Chalupa noted that the book is geared toward younger readers, aiming to encourage them to learn more. Sadly, with things the way they are, it seems there will be no shortage of material should a sequel ever be planned. But Chalupa maintains a sense of hope.
“We’ve got to keep fighting,” she says. “We have no choice. Every single one of us, wherever [we are], should not check out, should not say, ‘OK, it’s out of my hands.’ It’s not up to you alone to fix it, but what we have the power to do, the bandwidth to do, is incredibly powerful.”
